The grad show taught me ways to improvise and work with other artists: communicate immediately when placements are unfavorable, patiently wait for others to finish expressing their opinions, and adjust accordingly when spaces are limited. The installation process took quite awhile because how little space we got; even so, people spoke with one another in respect and understanding. In comparison to others, works of mine require very little: together on plain white wall. What took long was finding the optimal positioning: how could the four paintings portray a polyamorous marriage. Though the installation was hectic, the end product was breath taking: rooms of different personalities, languages, ideas, and "ethnicities"; for some, the arrangements seemed squished but flowing- kids from all over staying in the same classroom, with their hands held high quietly waiting to be called. The biggest take away would be understanding how others' work communicates with your own: provide enough "comfort" space between artworks so viewers don't panic and lose track. It is also important to note how time plays a role in the process; without proper time management, the installation gets prolonged and schedules pushed back. One suggestion I would give regarding the space in Camberwell would be having signs near entrance, up the stairs for visitors to follow. It is also worthy of mentioning how the floors should be properly mopped, and buckets put away when near the opening of show.